“Jesus Camp,” a documentary feature film that follows evangelical Christian children at a religious summer camp in Devils Lake, N.D., won prizes and critical praise on the summer festival circuit, but it wasn’t until its quiet opening in the Midwest two weeks ago that a news clip about the film hit YouTube.com, inciting a whirlwind of controversy.

Already, the movie, which opens in Los Angeles this week, has split the Christian community and horrified those who fear the ascension of the religious right on the national stage. “Jesus Camp” opened Friday in New York and will open in 20 more cities nationallyOct. 6. Fargo Theatre Executive Director Margie Bailly says the independent film could play on the downtown screen by the end of October.

Bloggers of all stripes have been so disgusted by the bits of the film they have seen on the Web that the film’s central subject, camp founder Pastor Becky Fischer, has become a public figure, bombarded with hateful e-mails and bracing for her media appearances next week, including a scheduled appearance on ABC’s “Good Morning America.”

The A&E Indiefilms/Magnolia Pictures film follows Rachael, now 10, Levi, now 13, and Tory, now 11, engaging and articulate children from Midwestern towns who attend Fischer’s “Kids on Fire” Bible camp in 2005. The filmmakers, Heidi Ewing and Rachel Grady, take a straightforward look at their subjects.

The children cheer when asked if they would be willing to give up their lives for Jesus, pray over a cardboard cutout of President Bush and sob as they plead for an end to abortion. One is home-schooled by a mother who teaches that “science doesn’t prove anything.”

At one point, Fischer shouts to the children, “This is war! Are you part of it or not?” She proudly compares her work to the indoctrination of young boys by extremist Muslims in Pakistan and elsewhere. The film intersperses footage of Fischer and the children with clips of radio talk-show host Mike Papantonio, a liberal Methodist, excoriating conservative Christians like Fischer.

Fischer is disappointed by the way she appears in the film. “I do understand they’re out to tell a story, and they felt they found it with some of the political things,” she said by phone from her home in Bismarck. “And they’re out to show the most dramatic, exotic, extreme things they found in my ministry, and I’m not ashamed of those things, but without context, it’s really difficult to defend what you’re seeing on the screen.”

More controversy over the film erupted last week when the Rev. Ted Haggard – whose constituency at the National Association of Evangelicals is 30 million strong – took a public stance against it, claiming the film makes evangelicals look “scary.” His condemnation apparently chilled the film’s opening in 13 theaters in Colorado, Kansas, Texas, Oklahoma and Missouri on Sept. 15.

When Fischer arrived home last week after a few days touring with the filmmakers, her e-mail inbox was loaded with hate mail. She spent the next two days writing lengthy explanations to the most common accusations – “How dare you brainwash those kids!” and “Are you raising up Christian terrorists or another Hitler Youth movement?” – then posted them on her Web site Thursday.

“I’m wearing sunglasses in the airports,” she said. “It’s really making me nervous.”

Haggard – who appears in the film noting that when evangelicals vote, they determine an election – acknowledged he “hated” the film and called it “propaganda” for the far left. He said the filmmakers take the charismatic, evangelical jargon too literally and portray the children’s and Fischer’s “war talk” as violent and extremist, when it’s just allegorical.

“It doesn’t mean we’re going to establish a theocracy and force people to obey what they think is God’s law,” he said. “None of that’s clarified in the movie.”

The New York-based Ewing and Grady said they want the film to make a broad statement about how politics and faith have become inexorably intertwined in America. Yet the conversations that have been sparked by the movie are less about the stark differences between people with different ideologies and more about the interest in bridging them. “No one’s going anywhere, and no one’s going to change their minds,” Grady said. “So some sort of compromise has to happen, or we’re just going to become more and more divided.”

Grady and Ewing, who last year won awards for their documentary “The Boys of Baraka” about a group of inner-city American kids attending a school in Africa, said everyone was enthusiastic about participating in the project. But as Fischer explained, no one, including the filmmakers, expected the film to become so overtly political. Ultimately, though, Fischer said, “no one was more shocked or horrified when they told me that was the turn the film was making.” That’s because, like many evangelical Christians, Fischer doesn’t see what she does as political. She said she’s “dumbfounded” that people would find her anti-abortion lessons disturbing when she sees them as a way to teach children to value human life.

Despite her reservations about the film, Fischer said she’s helping to promote it and considers Ewing and Grady friends. She’s also grateful for the national attention the movie and its controversy have granted her. “I couldn’t have paid for this kind of advertising,” she said.